Melvil Poupaud Movies

The Matrix masterminds Andy and Larry Wachowski usher anime icon Tatsuo Yoshida's classic 1960s-era hit into the new millennium with this family-friendly story of a young racecar driver who takes on the mysterious Racer X in a custom-made, gadget-loaded speed machine named the Mach 5. Speed Racer (Emile Hirsch) is the kind of driver that every wheelman wishes he could be: a born winner whose unbeatable combination of aggression, instinct, and fearlessness always finds him crossing the checkered flag with a comfortable lead. In Speed Racer's mind, the only driver who could present him with any real challenge is his late brother -- the legendary Rex Racer. Rex died in a heated cross-country rally known as The Crucible many years ago, and now his younger sibling is driven to fulfill the legacy that Rex left behind. To this day, Speed Racer is fiercely loyal to family. It was Speed Racer's father, Pops Racer (John Goodman), who designed the unbeatable Mach 5, and even a lucrative offer from racing giants Royalton Industries isn't enough to get the young ace to break his family ties.

Upon turning down Royalton's (Roger Allam) astronomical offer, Speed Racer makes the shocking discovery that the outcomes of the biggest races are being predetermined by a handful of powerful moguls who pad their profits by manipulating the drivers. Realizing that his career would be ruined if word of the fix gets out, Royalton vows that the Mach 5 will never make it to another finish line. Now, the only way for Speed Racer to save the family business and beat Royalton at his own game will be to win the very same race that claimed his brother's life so many years ago. In order to accomplish that formidable feat, however, Speed Racer will not only have to rely on his family and the aid of his longtime girlfriend, Trixie (Christina Ricci), but form a tenuous alliance with his longtime rival -- the mysterious Racer X (Matthew Fox) -- as well. ~ Jason Buchanan, All Movie Guide

An adaptation of Agatha Christie's 1929 short story "The House of Lurking Death," this French-language whodunit represents director Pascal Thomas's third Christie adaptation, following the 2005 By the Pricking of My Thumbs and the 2007 Towards Zero; like Thumbs, it hones in on Prudence (Catherine Frot) and Belisaire Beresford (Andre Dussollier), a married pair of amateur sleuths. This particular outing is set at Christmastime, and finds the Rhone Alps-dwelling Beresfords visited by a beloved aunt, Auntie Babette (Annie Cordy), who promptly informs them that she spotted a murder through a rainy window while seated on a train. Eager for a new crime to solve, Prudence jumps into the case when Belisaire leaves town on a weekend jaunt, and makes her way to a creepy chateau in the middle of the forest, populated by the most unpleasant of families. Inhabitants include an eccentric patriarch widower named Roderick Charpentier (Claude Rich), his morose daughter Emma (Chiara Mastroianni), his conniving and paranoid sons (Christian Vadim, Alexandre Lafaurie and Melvil Poupaud), and a local country doctor (Hippolyte Girardot). Prudence takes a position as a cook at the residence, and when the body crops up, it soon falls on her shoulders to ferret out the murderer. Soon, her husband joins her at the house, tipped off by a local detective regarding his wife's whereabouts. ~ Nathan Southern, All Movie Guide

A woman is thrust into a world where everything is subtly unfamiliar in this edgy thriller from writer and director Sean Ellis. Gina McVay (Lena Headey) is a radiologist who is enjoying dinner one evening with her family and her boyfriend Stefan (Melvil Poupaud) when a mirror shatters for no apparent reason. After a few moments, no one thinks much of it, but the next day Gina is leaving work and she sees something even more troubling -- a woman who looks just like her, driving a car identical to her own. Curious, Gina sneaks into the doppelganger's apartment and sees a photo of herself and her father in the hallway. Seriously rattled, Gina runs out and drives away, only to get in an accident that lands her in the hospital. After she's released, Gina asks Stefan if she can stay with him, but while he looks the same, his personality and behavior are quite different from the way she remembers him, and she begins having vivid nightmares which become all the more terrifying when the same horrific images begin popping up in her waking hours. The Broken received its American premiere at the 2008 Sundance Film Festival. ~ Mark Deming, All Movie Guide

By the Pricking of My Thumbs director Pascal Thomas returns to the written word of Agatha Christie for inspiration, and the result is a lively whodunit centering on a deadly family gathering and the exquisite sleuthing skills of hyper-perceptive crime-fighter Superintendent Bataille. For the past twenty-odd years, elderly dowager Camilla Tresillian (Danielle Darrieux) has maintained a quiet existence in her sprawling mansion, where her every need is attended to by professional caretaker Marie-Adeline (Alessandra Martines) and stern-eyed personal maid Barrette (Carmen Durand). The familiar silence of Camilla's world is suddenly interrupted, however, when a series of relatives including her spendthrift nephew Guillaume (Melvil Poupaud) and his second wife Caroline (Laura Smet) are summoned to her mansion for a long overdue family gathering. Much to the Guillaume's dismay, his first wife Aude (Chiara Mastroianni) is also on the guest list, as is worldly adventurer Thomas Rondeau (Clement Thomas), who has always carried a torch for the pretty divorcée. Likewise, notorious ladies man Fred Latimer (Xavier Thiam) turns up casting a longing gaze at Caroline, and as the rest of the guests begin to arrive it becomes increasingly apparent that they all anticipate a hearty inheritance from their increasingly frail host. When Judge Trevoz (Jacques Sereys), a special guest of Camilla's, becomes the first victim in a painstakingly planned double homicide, it begins to appear as if Guillaume's greed has finally gotten the best of him. As with most well executed crimes, however, the truth is a far cry from initial appearances and fortunately Superintendent Bataille just so happens to be vacationing in the region. Now, as the clue-sniffing sleuth and his policeman nephew interrupt Camilla's party in hopes of ferreting out a killer, it quickly becomes apparent that everyone in the mansion has a motive for murder. ~ Jason Buchanan, All Movie Guide

Diagnosed with terminal cancer and given only a short while to live, a successful fashion photographer embarks on one final journey in the second of three films in a trilogy about death and mourning from French director François Ozon (the first entry in the the trilogy was Under the Sand) . After passing out during a particularly grueling photo shoot, high profile shutterbug Romain (Melvil Poupaud) is shocked to discover that his body has been ravaged by a fully metastasized cancer that will soon kill him. Without revealing the cause for his erratic behavior, the shell shocked Romain commences to alienate his entire family and ditch his handsome young boyfriend before connecting with affable waitress Jany (Valeria Bruni-Tedeschi) at a roadside café while en route to his grandmother's house. Upon arriving at the home of the one family member he knows will be joining him shortly in death, Romain's naked vulnerability is met with a gentle ear and sound advice. Once again meeting with the kindly Jany on his way to his ultimate fate, Romain and the waitress strike up an unusual bargain. ~ Jason Buchanan, All Movie Guide

Based on the 1997 National Book Award-nominated novel of the same name by Diane Johnson (co-writer of the script for Stanley Kubrick's The Shining), Le Divorce is a romantic comedy from director James Ivory. Revisiting the "Americans in France" theme that Ivory explored in 1998's A Soldier's Daughter Never Cries, the film stars Kate Hudson as Isabel Walker. When she receives word that her pregnant poetess sister Roxy (Naomi Watts) has been left by her philandering French husband, artist Charles-Henri de Persand (Melvil Poupaud), Isabel offers her help and moral support. As the depressive Roxy struggles with the separation proceedings -- which include the rights to ownership of a work of art that's a family heirloom -- Isabel takes a job with author Olivia Pace and has a fling with the bohemian Yves (Romain Duris). But things get complicated when the younger, more impudent sister decides instead to pursue Charles' uncle, the snooty, married diplomat Edgar (Thierry Lhermitte), and when a mysterious man (Matthew Modine) starts stalking Roxy. Eventually, the rest of the plucky Walker clan has to come to the aid of the siblings. Stockard Channing and Sam Waterston co-star. ~ Matthew Tobey, All Movie Guide

Raul Ruiz's Love Torn in a Dream is introduced with a fake newsreel, taking place in postwar France, in which the cast of the film meet with the producer, who explains the film's complex weave of nine narratives. A diagram in which each story is represented by a letter of the alphabet explicates the intertwining of the nine tales. As the producer explains each actor's role, the film begins. The stories, rooted in folklore, bump up against each other as the film leaps back in forth in time. They involve a jewel stolen from a painting, a mirror that "steals" what it reflects, a seminary student who dresses as a priest to hear the nuns' confessions, brothers who combat each other in their search for a group of rings, a man whose everyday life is predicted by a website 24 hours in advance, a Catholic who finds out he's really Jewish, and a treasure map that leads to a pirate's chest. Each of the main cast members plays multiple roles. Ruiz veterans Melvil Poupaud and Elsa Zylberstein play the lead roles, while Lambert Wilson, Christian Vadim, Diogo Dória, José Meireles, and Rogério Samora play supporting roles. The film won the FIPRESCI Award at the 2000 Montreal World Film Festival, and was shown as part of the "Film Comment Selects" series at New York's Lincoln Center in 2003. ~ Josh Ralske, All Movie Guide

An ambitious project of Chile-born, Paris-based Raul Ruiz, this psychological drama brings to the screen the famous classic of Marcel Proust with fidelity to its interior monologues and streams of consciousness. Proust (Marcelo Mazzarella), on his deathbed in his small apartment on Rue Hamelin, is looking through old photos and remembering his life, as real characters intermingle with fictional ones from his novels. The period is 1914-18, when WWI is raging. Hidden in Paris, thanks to his asthma, Marcel Proust wanders into the night. He finds an aging courtesan in Café de la Paix, which is deserted by the curfew. Charlus, the seducer of young boys, is at the Palais des Felicites where he meets his lovers. Gilberte returns alone to Tansonville to evade the confiscation of her chateau by the Germans after the death of her husband at the front. Famous violinist Morel is hiding in a decrepit hotel. The demoralizing effects of war affect all the characters, hastening their decadence or transforming them into caricatures. In the whirlpool of the grotesque specter of war, Marcel finds refuge in his childhood memories to escape the atrocities around him. Death and decadence, the evanescence of human existence, and the relations between space and time are some of the main themes explored in this film, which reflects the works of Marcel Proust in every detail. Raul Ruiz has on his side a very good screenwriter, Gilles Taurand, and an impressive cast: Catherine Deneuve and John Malkovich, who have collaborated with Ruiz before, Emanuelle Béart, Vincent Pérez, Pascal Greggory, and the Italian man of theatre, Marcello Mazzarella. Shown in competition at the 1999 Cannes Film Festival. ~ Gönül Dönmez-Colin, All Movie Guide

Raul Ruiz directed this typically eccentric look at the nature of crime, the human mind, and life in the modern world. Solange (Catherine Deneuve) is a defense attorney with a reputation for taking on cases that can't be won -- and proving it by losing them. Her latest lost cause is Rene (Melvil Poupaud), a young man on trial for murdering his Aunt Jeanne (also played by Deneuve), a cruel psychiatrist who raised him as a child and was convinced from infancy that he was destined for a life of crime. While Rene would seemingly need a good lawyer in his situation, he prefers instead to play games with Solange's mind and finds unlikely allies in a strange society of French and Belgian psychologists, headed by Georges (Michel Piccoli), who seems crazier than anyone he's treating. Solange, however, finds herself falling in love with Rene, which only makes a difficult situation more unpleasant for everyone. Through a series of layered flashbacks, we're shown Rene's crime several times from a number of perspectives, which ultimately makes his actions seem more vague with each repetition. ~ Mark Deming, All Movie Guide

Marcello Mastroianni plays several different roles in this off-beat, witty exploration of a man with multiple personalities from world-class filmmaker Raúl Ruiz. Mastroianni first appears as Parisian traveling salesman Mateo Strano who suddenly shows up at the home of Maria, the wife he abandoned twenty years before. She eventually remarried Andre. Mateo begins telling the skeptical Andre that he never really left Marie. Instead he was bewitched by fairies and has been living in the apartment across the street the entire time. He seems so serious, that he is able to lure Andre to the alleged apartment. There Mateo murders him with a hammer and then calmly returns to Maria who seems nonplused by the sudden turn. With pride she shows Mateo their adopted daughter. Mastroianni next appears as Sorbonne professor of negative anthropology Georges Vickers, a grown man who still lives with his cranky mother until he inexplicably leaves to become a vagrant. Living on the streets, he encounters Tania, a streetwalker with a passion for the philosophies of author Carlos Castaneda's Don Juan. The hooker and the tramp stay together until the day that Vickers returns and he leaves. It is soon afterward that he discovers that Tania is really the president of a major corporation. When he learns that she has been jailed for attempting to murder her creepy ex-husband, Vickers uses his clout to save her. The story then jumps to a newlywed couple happily struggling in a humble garret. Their lives change dramatically when a benefactor suddenly appears and provides them with a marvelous country house. They are also given a mute butler (Mastroianni) who answers their every beck and call. It doesn't take the couple long to figure out that the sinister valet (who actually owns the chateau) is quietly poisoning them. In terror they leave, but later he finds them and demands that they give him their baby daughter. He gives the child to Maria, Mateo's wife. Mastroianni's fourth persona, that of industrial magnate Luc Alamand then appears. He is in trouble when he learns that the wife, daughter, and sister he manufactured to impress potential clients are actually coming. The stress causes the sudden emergence of his other disparate personalities. Interestingly, though each live wildly different lives, they are clearly the same mild-mannered, self-effacing character. The comedy in the story works on wildly different levels with sight gags and puns running simultaneously with literary and cultural satire. Beneath it all runs a serious message about the destructiveness and confusion caused by trying to create a single European culture. ~ Sandra Brennan, All Movie Guide

The grueling, emotionally torturous world of French preparatory schools provides the framework for this mystery. The deliberately rigorous courses are designed to prepare students to take the brutal examinations for entry into the elite Grand Ecoles, where a select few will gain the skills and education needed to insure a bright, prosperous future for themselves. The story centers on Delphine, a girl from the lower classes, and the upper class Claude. Both young women aspire to attend the Ecole Normale Superieure on the Rue d'Ulm. Delphine lives in humble public housing with her dull mother and two young brothers while Claude, who considers herself a Communist, lives in luxury with her own servant; she is sexually involved with fellow- student, Axel, who thinks himself a fascist. Claude's younger brother Bertrand is trying to become a cadet in the national military academy, St. Cyr. He endures much abuse as he prepares himself. A few hours after Delphine meets Claude, the latter is seen diving to her death from a tall building, something the school officials attribute to academic pressure. Delphine later learns the bitter truth about Claude's death after she herself gets involved with Axel, and Bertrand. ~ Sandra Brennan, All Movie Guide